从民间走向舞台——论湘西土家族摆手舞的当代艺术创作

From the Folk to the Stage——On the Contemporary Art Creation of the Hand-waving Dance of the Tujia People in Western Hunan

湘西土家族摆手舞是湘西地区最具地方特色的传统民间舞蹈,从变化多端、动作万千的舞蹈形态中,可以了解到湘西土家族人民的生产生活、祭祖实践、社群交往等丰富的讯息。但是在当代语境下,湘西土家族摆手舞也面临传承和保护的现实困境,对湘西土家族摆手舞进行当代艺术创作和转换,为其创造从民间走向舞台的机会,可以使其焕发新的生机。这是实现湘西土家族摆手舞继承性保护和发展性保护的必然路径,也是发展和繁荣我国文化事业及增强文化自信的现实要求。在借鉴民族民间舞蹈从民间来,到民间去、把握尺度,寻求平衡、不忘初心,回归乡土等创作实践的基础上,提出湘西土家族摆手舞当代艺术创作的思路。建议:把创作原点转向湘西民间,积极寻根;将创作视野转向当代语境,主动创新;将当代舞台调度运用其中,提升效果。

The hand-waving dance of the Tujia people is a traditional folk dance with the most local characteristics in western Hunan.From the varied dance forms with thousands of movements,we can learn about the life of the Tujia people,the rituals of worshiping ancestors,and their social communications in western Hunan.However,nowadays,the hand-waving dance is also faced with the dilemma of inheritance and protection.Therefore,it should be made anew and to thrive by creating and transforming contemporary art of the hand-waving dance,and moving it from the folk to the stage.This is an inevitable path to realize the inheritance and developmental protection of the Tujia handwaving dance,and it is also a realistic requirement for developing and prospering our country’s cultural undertakings and enhancing cultural self-confidence.Bases on "folk art from the folk,to the folk",balance without forgetting the original intention,returning to the countryside,etc.this paper puts forward the idea of the contemporary art creation of the hand-waving dance of the Tujia people in western Hunan.Firstly,turn the origin of creation back to the western Hunan;secondly,turn the creative vision to the contemporary context;thirdly,use the contemporary stage scheduling to improve the effect.