叙事学视角下《佩德罗·巴拉莫》的时空交错研究

A Study on the Space-time Interleaving of Pedro baramo from the Perspective of Narratology

《佩德罗·巴拉莫》呈现出两种典型的叙事时间,话语时间是“我”前往科马拉途中的所见所闻,故事时间则是现实存在的佩德罗·巴拉莫时期。通过具体分析话语时间和故事时间之间的不协调现象,发现小说运用了内预叙、补充倒叙等方式使叙事时间呈现出时间倒错的特征。而时间的倒错也会引起空间的倒错,通过进一步探讨小说的叙事空间,发现分别存在魔幻科马拉的话语空间和现实科马拉的故事空间,而话语空间又扩大到了已逝者眼中美好如天堂的科马拉和客观的科马拉世界两个层面。时间倒错和空间倒错共同构成小说鲜明的时空交错特征,结合热奈特的“时间倒错”和巴赫金的“时空体”概念,发现小说中存在宏观和微观两种层次上的时空交错现象,其中微观层次上的时空交错又可细分为平行时空叙事和交叉时空叙事。

Pedro baramo presents two typical narrative times.The discourse time is what“I”saw and heard on the way to komala,and the story time is the Pedro baramo period in the story.By analyzing the disharmony between discourse time and story time,it is found that the novel uses pre narration and flashback to make the narrative time show the characteristics of time reversal.According to the relationship between time and space,the reversal of time will also bring the reversal of space.Further explore the narrative space of the novel,and find that there are magic komala's discourse space and real komala's story space respectively,and the discourse space is expanded to two levels:komala,which is beautiful as heaven in the eyes of the dead,and the objective komala world.Time reversal and space reversal together constitute the distinctive space-time interleaving characteristics of the novel.Combined with Genette's“time reversal”and Bakhtin's concept of“space-time body”,it is found that there are two kinds of space-time interleaving phenomena at the macro and micro levels,in which the space-time interleaving at the micro level can be subdivided into parallel space-time narration and cross space-time narration.