中国传统意象理论在隋唐五代的拓展和深化

From the Sui and Tang Dynasties to the Five Dynasties:The Expansion and Deepening Period of the Traditional Chinese Yi-xiang(Yi-image)Theory

中国传统意象理论在隋唐及五代这一时段里,逐步完成了从具体话语表述到深层思想结构等各方面的优化和升级。该时期的意象理论承袭着魏晋老庄玄学的思想资源,获得了印度佛教哲学体系的助力,经过诗歌和词曲等各种文艺创作的实践磨练,已开始逐步成熟和体系化,并且具备了更为充分和鲜明的审美内涵。这一时期的意象理论的发展在深度和广度上都超越前代,形成了包括“境”(意境)、兴象、韵味等在内的家族概念群。

During Sui,Tang and Five Dynasties,the traditional Chinese Yi-xiang(Yi-image)theory has gradually completed the optimization and the upgrading from various aspects including specific discourse expressions and deep ideological structures.The Yi-xiang(Yi-image)theory of this period inherited the ideological resources of metaphysics like Lao Tzu,Zhuang Tzu in the Wei and Jin Dynasties,and inspired by the Indian Buddhist philosophical system and rich imagination.It has begun to mature and systematize gradually,and has enjoyed more full and distinct aesthetic characteristics.The development of Yi-xiang(Yi-image)theory in this period surpassed the previous generation in terms of depth and breadth,and formed a family concept group including"jing"(artistic conception),Xingxiang,charm and so on.