唐君毅审美阐释的“融通之境”

Tang Junyi’s Aesthetic Interpretation of the “Harmonious Environment”

现代新儒家唐君毅的审美阐释活动,继承中华民族文化的精神旨趣,对中国诸种文艺现象的审美活动进行分析与剖解,最终目的是“合外内之道”,实现“内在而超越”。唐君毅运用历史和美学的观点,考镜源流,辨章学术,品评中国古代绘画与诗歌艺术。在广阔的学术视域中,唐君毅精心剖析中国古典文艺的民族特性及其审美历程,把握中国审美文化的精髓,其审美阐释学具有重要的方法论意义。

The aesthetic interpretation of Tang Junyi, a modern neo-Confucian, bear the long spiritual conception of Chinese national culture. It gives an analysis of the aesthetic activities of various literary and artistic phenomena in China and reaches the ultimate goal of “combining the ways of the outside and the inside” and realizing “the inner and transcendence”. Using the historical and aesthetic points of view, Tang Junyi examines the origins of the mirror, distinguishes the academic chapters, and evaluates the ancient Chinese painting and poetry. In the broad academic horizon, Tang Junyi carefully analyzed the national characteristics of Chinese classical literature and art and its aesthetic process, grasped the essence of Chinese aesthetic culture. His aesthetic hermeneutics has an important methodological significance.