从印刷和传播论版画的当代性

Contemporariness of Engraving from Printing and Spreading

印刷和传播作为版画的本体概念在信息时代面临着概念转化和功能拓展的新问题。文章将版画纳入视觉研究的学术视角,从印刷和传播论述当代语境下版画跨媒介的文化再生和多元化的审美心理。

Printing and spreading, as two ontology concepts, encounter new problems of conceptual conversion and functional expansion in the information era. This paper includes the engraving into the academic perspective of visual studies to talk about the aesthetic emotion of cultural reproduction and diversification inherent in the engraving across different media in the contemporary context from printing and spreading.diversification inherent in the engraving across different media in the contemporary context from printing and spreading.