摘要
聚焦沂蒙题材影视剧的创作生产,已较为完整地构建了一种典型的沂蒙地域景观和红色文化精神,借用跨地想象在当代书写近代,给新时代沂蒙精神以新的注解,实现了沂蒙红色文化的再突出、再弘扬。在空间生产理论视域的考察下,从自然风景、社会图景、民族精神面貌层面探究沂蒙题材影视剧的构建与表征,并作思辨性分析,为当下沂蒙题材影视剧创作的向新向上发展提供可行性建议,以期实现沂蒙题材影视剧在体制内表达创作者个性化诉求和沂蒙精神的创新性融合。
Since the beginning of the new century, the creation of Yimeng films and TV plays has completely constructed a typical regional landscape of Yimeng and the spirit of red culture, and written the modern times with the cross-land imagination, giving a new note to the Yimeng spirit in the new age, and realizing the Yimeng red culture being highlighted and promoted again. But also it highlights the more typical problems in them, under the view of space production theory, from the natural landscape and social landscape,national spirit level to explore the construction of Yimeng film and television play theme and characterization of new century, and intelligent analysis, Yimeng content creation theme for today’s up to the new development to provide feasible suggestion, so as to realize the creative integration of Yimeng spirit and creators’ individual demands in the system.
出处
《民族艺林》
2022年第3期25-34,共10页
Journal of Ethnic Art
关键词
空间生产
沂蒙
影视剧
红色精神
美学思辨
space production
Yimeng
film and television play
Red spirit
aesthetic thought