话语场视角下的方城石猴

Fangcheng Stone Monkey from the Perspective of Discourse Field

每一种民间艺术形态,在当今社会中都经受了不同话语场的变迁。作为人类社会生活的重要组成部分,同时被多元行动所赋予能动性的民间传统艺术形态,其价值、内涵、衡量标准等,在人类纷繁复杂的话语系统中被时刻改变着。为接近更为“真实”的方城石猴,本文以话语场为视角,利用符号学、民俗学等研究方法,从非遗保护、乡村振兴、文化保护等方面与来自专业组织、本地石猴艺术家、消费者以及当地政府等的对话系统中,研究方城石猴的商品化及其文化重构和传承发展,从而塑造更为“真实”的方城石猴。

Each folk art form has undergone changes in different discourse fields in today’s society. As an important part of human social life, the value, connotation and measure standard of the traditional folk art form,which is endowed with activity by multi-action, are changing constantly in the complicated discourse system of human beings. From the perspective of discourse field, using semiotics, folklore and other research methods, this paper intends to explore the commercialization, cultural reconstruction, inheritance and development of Fangcheng stone monkey from the dialogue system of local stone monkey artists, consumers and local governments, such as intangible cultural heritage protection, rural revitalization and cultural protection, so as to create a more "real" Fangcheng stone monkey.