中央苏区音乐活报剧考述

Music Sketches in the Chinese Central Soviet Area

中央苏区的音乐活报剧是以音乐、舞蹈为主要表现手段的戏剧样式。中央苏区早期化妆宣传活动为活报剧在苏区的发展提供了良好的环境;从活报到活报剧再到音乐活报剧,从最初只演不说到又演又说再到载歌载舞,音乐活报剧不断完善,弥补了早期活报剧的部分不足;歌唱、舞蹈以及内奏音乐、音效模拟、催幕曲、出场曲等辅助手段,极大提升了音乐活报剧的艺术感染力,为中央苏区的革命宣传插上了音乐的翅膀,也为延安秧歌剧的兴起提供了最直接的经验。

As a theoretical genre, this area’s music sketch(huo bao ju) employed music and dance as its major expressions. It developed from a simple street performance first to drama sketch and last to music sketch with singing, dancing, and lots of music assisting forms. This genre heightened its art appeals, profited with music the revolutionary publicity and provided direct experiences for the later rise of the yangge drama in Yan-an.