勋伯格十二音作曲法中空间观念的演进逻辑——兼论阿道夫·卢斯的空间观及其影响

Logic for Development in the Space Concept as Reflected in Schoenberg’s Twelve-tone Composition——With a Comment on the Architect Adolf Loos’ Space Concept and Influence

长期以来,人们总是以“音乐是流动的建筑”“建筑是凝固的音乐”来类比音乐与建筑在结构特性上的关联性。在勋伯格于20世纪20—40年代发表的一系列有关十二音作曲的文论中可以看到,他的音乐空间观与十二音作曲技术理论的发展几乎同步。在这一过程中,建筑家阿道夫·卢斯的空间结构观影响了勋伯格的音乐创作观,尤其是十二音音列“多向度”“多维度”的结构组织方式。

As seen from Schoenberg’s series of essays concerning 12-tone composition techniques during 1920s-’40s, his music space concept and 12-tone technique are nearly synchronic. In this process the space structure concept by the architect Adolf Loos had influenced Schonberg’s space structure concept, especially his 12-tone serial multi-dimensional structure organization.