现代艺术与当代艺术中色彩的抽象性

Abstraction of Color in Modern Art and Contemporary Art

色彩在印象派中是空间位置的表达,这一时期色彩表达某种具体的物;新印象主义的绘画实践开始将色彩从具象视觉走向光学物理与视觉生理和心理的关系中,自此色彩在后印象表现主义和立体主义绘画中不断地从宏观事物的表现模拟中脱离出来,转向色彩在主、客观视觉中的独立意义上,色彩因此而具有独立于事物表象之外的语言价值,从高更、马蒂斯开始色彩完全实现抽象,这一过程与形的几何化过程相似。本文旨在探讨色彩从现代艺术到当代艺术发展过程当中逐步实现抽象的过程及独立的语言价值,启迪今后艺术创作和思考。

Color is the expression of spatial position in Impressionism.In this period,color expresses a specific object;the painting practice of Neo-Impressionism began to move color from figurative vision to the relationship between optical physics and visual physiology and psychology.In Post-Impression Expressionism and Cubist painting,they are constantly separated from the representation and simulation of macroscopic things,and turn to the independent meaning of color in subjective and objective vision.Therefore,color has a linguistic value independent of the appearance of things.Gauguin and Matisse began to completely abstract color,a process similar to the geometric process of shape.The purpose of this paper is to explore the process of gradually realizing abstraction and its independent language value in the development of color from modern art to contemporary art,so as to inspire future artistic creation and thinking.