新编庐剧《孔雀东南飞之焦仲卿妻》主题曲形态剖析

On the Theme Song Form of Modern Lu Opera Jiao Zhongqing’s Wife in Peacock Flying Southeast

戏曲音乐主题作为体现剧种特定音乐风格、剧目个性和人物特征的综合体,既要传承,又要创新。在分析传统庐剧唱腔的基础上,通过深入剖析新编庐剧《孔雀东南飞之焦仲卿妻》主题曲的旋律、调式和方言使用等音乐形态特征,探究主题音乐在整体布局中的具体运用,阐明当代戏曲作曲家对于传统庐剧音乐风格的把握和个性音乐书写的规律和特点。

As a complex reflecting the specific musical style,drama personality and characters’characteristics,the theme of opera music should be inherited and innovated.Based on the analysis of the singing style of traditional Lu Opera,this paper deeply analyzes the musical morphological characteristics of the theme song of the newly edited Lu Opera Jiao Zhongqing's wife in Peacock Flying Southeast,explores the specific application of theme music in the overall layout,and expounds the contemporary opera composers’grasp of the musical style of traditional Lu Opera together with the laws and characteristics of personalized music writing.