主旋律电视剧中人物造型“真实性”与“审美性”的辩证探究——以脱贫攻坚剧《山海情》为例

A Dialectical Exploration of“Authenticity”and“Aesthetics”of Character Modeling in Main Theme TV Dramas,Take the Poverty Alleviation Drama Minning Town as an Example

主旋律电视剧是意识形态国家机器之一,意识形态可以通过主旋律电视剧来表达。2020年是我国脱贫攻坚的决胜阶段,反映精准扶贫、脱贫致富的电视剧在此时期数量较多。文章以脱贫攻坚剧《山海情》为文本案例,通过对剧中人物造型的分析与诠释,进行主旋律电视剧视觉创作的积极探索,为此类电视剧的人物造型设计提供学理支持,推动主旋律电视剧的不断发展与繁荣。

The main theme TV series is one of the ideological state machines,and ideology can be expressed through the main theme TV series.2020 is the decisive stage of my country's poverty alleviation,and TV dramas reflecting targeted poverty alleviation and poverty alleviation have flocked to this period.Taking the poverty alleviation drama Minning Town as a text case,through the analysis and interpretation of the characters in the play,the author actively explores the visual creation of the main theme TV series,provides theoretical support for the character modeling design of such TV dramas,and promotes the main theme TV series.Continuous development andprosperity.