地域文化融合视角下艺术品拍卖新趋势研究——以佳士得联合拍卖为例

The New Trend of Art Auction from the Perspective of Regional Cultural Integration——Taking Christie’s Global Live Auction as an Example

随着新冠肺炎疫情的暴发,人们生活的空间逐渐被压缩,为了更好地与各方进行有效的交流,艺术品拍卖机构开始越来越多地使用线上的方式和大家见面,并在此基础上探索新的可能。本文以佳士得在2020年和2022年所举行的两次线上联合拍卖为线索,主要关注自疫情以来艺术品拍卖市场的新变化,从融合视角下分析地域文化差别所导致的艺术品在不同地区热度和认可度不同的市场反映,以看待各地区买家和拍卖行之间的联系。本文从平台、空间、载体、业态等多个角度分析艺术品拍卖的走向,由点及面,以此启发未来艺术市场的多元发展。

With the outbreak of the Covid-19, people’s living space has been gradually compressed, in order to better communicate effectively with all parties, art auction institutions began to use more and more online ways to meet everyone, and explore new possibilities on this basis. This article takes Christie’s two global online auctions in 2020 and 2022 as a clue, and focuses on the new changes in the art auction market since the epidemic, from the perspective of integration, this paper analyzes the market reflection of regional cultural differences in different regions, in order to look at the relationship between buyers and auction houses in different regions. This paper analyzes the trend of art auction from the perspectives of platform, space, carrier and form, so as to enlighten the diversified development of art market in the future.