波德莱尔与劳特累克作品中的女性形象研究

Research on the Female Image in the Works of Charles Baudelaire and Toulouse-Lautrec

波德莱尔作品中体现的美学现代性具有开创性意义,他从现代审美经验中提取出“短暂”“瞬时”“矛盾”等特点,定义了极具时代意义的“现代性的美”,影响了法国近现代众多艺术家,其中包括后印象主义画家图卢兹·劳特累克。两人分别从诗、画角度,对游离在现代都市各个角落的女性进行了细致入微的审视与表现。他们笔下的女性形象既是作者情感的表达、对社会的关照,也是他们独特审美经验的阐发、对传统审美的颠覆与革新。但波德莱尔的女性书写是对充满现代性的诗歌经验的深刻反思,是美学经验与伦理经验相结合的产物,而劳特累克强烈的艺术风格更多是个人情感经验与社会时代相结合的产物。

The aesthetic modernity embodied in Baudelaire’s works is of pioneering significance. The characteristics of “transient”, “instantaneous” and “contradictious” modernity extracted by Baudelaire from modern aesthetic experience defined the “beauty of modernity” in a very contemporary sense and have influenced many modern French artists, including Toulouse-Lautrec, the post-impressionist painter. The two men’s poetic and pictorial approaches to women in every corner of the modern city are meticulously scrutinised and represented. The female images created by them are not only a voice of their emotions and a reflection on the society, but also an articulation of their unique aesthetic experience and a reversal and innovation of traditional aesthetics. Baudelaire’s female writing, however, is a profound reflection on a poetic experience full of modernity, the product of a combination of aesthetic and ethical experience, while Lautrec’s artistic style is a product of a combination of personal emotional experience and social times.