美术面向:鲁迅与沈从文比较

Art Orientation: Comparison between Lu Xun and Shen Congwen

鲁迅、沈从文与中国现代美术有着诸多文化关联,二人都善于绘画。不同的是,鲁迅钟爱民间绘画,沈从文则对古典绘画素有研究;二人书法艺术造诣深厚,鲁迅取法晋唐、融汇隶篆,形成了自己的书艺风格,沈从文钟情章草,有着小众取向;美术研究上,鲁迅在前半生关注古代碑拓,后期关注木刻艺术,沈从文在后半生则集中探究了古代工艺美术。鲁、沈的绘画兴趣、书法风格、美术研究显示出现代文学大家独特的美术面向,其美术趣味与文学创作形成了互文,并以综合而非细分的逆现代审美方式实现了文学与美术的综合突破,显示出美术形式审美对于文学的独特价值,表明多重文化身份转换的可能性与必要性。

Lu Xun and Shen Congwen have many cultural connections with Chinese modern art,and both of them are good at painting. The difference is that Lu Xun loves folk painting,while Shen Congwen has a long history of studying classical painting.The two have profound calligraphy art atments. Lu Xun took the method of Jin and Tang Dynasty and merged the seal script to form his own style of calligraphy. Shen Congwen loves Zhangcao and has a minority orientation. In the study of fine arts,Lu Xun paid attention to the development of ancient tablets in the first half of his life,while he paid attention to the art of woodcarving in the later period. Shen Congwen concentrated on the exploration of ancient arts and crafts in the second half of his life. The painting interest,calligraphy style and art research of Lu and Shen show the unique art orientation of modern literary masters. Their art interest and literary creation form an inter-text,and they realize the comprehensive breakthrough of literature and art in a comprehensive rather than subdivided anti-modern aesthetic way,which shows the unique value of art form aesthetic for literature,and indicates the possibility and necessity of the transformation of multiple cultural identities.