“自我解剖”及经典文本的重新史识——以瞿秋白、鲁迅、何其芳、巴金为中心

“Self-dissection” and the Re-understanding of Classic Texts: Centered on Qu Qiubai,Lu Xun,He Qifang and Ba Jin

以瞿秋白的《赤都心史》、鲁迅的《野草》、何其芳的《画梦录》、巴金的《随想录》为阶段性标识的经典,重构中国现当代文学史上知识分子写作“自我解剖”的文脉传统。“自我解剖”对于建构“我是谁”身份认同写作的主体性,对于深入研究中国百年散文史和推动当下知识分子的散文创作,无疑具有继承与发扬“自剖”传统的散文学之当代价值。“自我解剖”需有高尚的人格与开阔坦荡的胸襟,需有一种自我解剖、自我反省的精神与自我批判的勇气。如果当代散文家普遍增强了忏悔意识与自我反思的能力,能够时常进行自我反省,能够以深刻、坦诚、真实的眼光穿透历史和审视现实,那么当代的散文将有效摆脱“小摆设”或“有闲文学”的宿命,真正成为止于至善,臻于至美,为天地立心,为时代立魂的“贯道之器”。

Taking Qu Qiubai’s History of the Heart of Red Capital, Lu Xun’s Weeds, He Qifang’s Dream Painting and Ba Jin’s Random Thoughts as the classics marked by stages, these works construct the cultural tradition of “Self-dissection” in the writing of intellectuals in the history of modern and contemporary Chinese literature. From the aspects of Enlightenment, personality and aesthetic judgment, the process of classicalization of the tradition of historical knowledge, and historical knowledge represents the classical writers and their classical works on the traditional node of this context. It is the goal of this thesis to understand the theoretical significance of “Foresight” embodied in these classics. The exploration of this goal is essential to the construction of the subjectivity of “Who am I?” Identity writing, to the in-depth study of the century-old Chinese prose history and to the promotion of the prose creation of the current intellectuals, undoubtedly, it has the contemporary value of inheriting and developing the tradition of “Self-dissection” in prose.