从中国编织史的视角研究苗族辫绣文化

A Study on Miao Braid Embroidery Culture from the Perspective of Chinese Weaving History

苗族辫绣的历史可以上溯到史前时代,至今仍然于苗族村寨中少量传承。辫绣与中国编织史之间是一脉相承的联系,中国编织从结绳记事的实用功能逐渐发展出审美价值,后在玉文化影响下以组绶的形式存续,随着社会历史进程的发展,社会价值逐渐减弱,审美价值增强。苗族辫绣以编织作为主要的技法,呈现出独特的审美特征,将编织文化与刺绣文化结合。以中国编织史的视角研究苗族辫绣文化,既是对中国编织史的补充,也有利于探寻苗族辫绣的深层内涵。

The history of Miao braid embroidery can be traced back to the prehistoric era,and the skill is still inherited in some Miao villages.Braid embroidery and the history of Chinese weaving are in the same line.Chinese weaving has gradually developed its aesthetic value from the practical func‐tion of tying ropes to record events.Later,under the influence of jade culture,it continued in the form of ribbons.With the development of social history,its social value gradually weakened and the aesthetic value increased.Braiding is the main technique of Miao braid embroidery,which presents unique aesthet‐ic characteristics and combines weaving culture with embroidery culture.Studying the culture of Miao braid embroidery from the perspective of Chinese weaving history is not only a supplement to Chinese weaving history,but also conducive to exploring the deep connotation of Miao braid embroidery.