近代中国音乐史学认识论的守成与嬗变

The Preservation and Evolution of Epistemology of the Modern Chinese Music Historiography

音乐史学认识论是关于音乐史学的本质认识,是音乐史学原理中的基础理论问题。中国音乐史学从近代的转型与学科草创及至初步发展,均离不开音乐史学认识论的嬗变与发展,其中涉及中国古代音乐史学观念的坚守、对西方音乐史学观念与方法的借鉴以及由此带来的音乐史观、音乐史学观和音乐史学方法的迁变。由音乐史学认识论的守成与嬗变,可以略窥中国音乐史学在近代起步与发展的大致面貌。

The epistemology of music history is about the essential understanding of music histor y,and it is the basic theoretical issue in the principles of music history.The transformation and development of Chinese music historiography from modern times and the initial development of the discipline are inseparable from the evolution and development of the epistemology of music historiography,which involves the ad herence to the concept of ancient Chinese music historiography,the reference to Western concepts and methods of music historiography,and the resulting changes in the view of music histor y,the view of music historiography and the method of music historiography.From the preservation and evolution of the epistemology of music historiography,we can see the general appearance of the beginning and development of Chinese music historiography in modern times.