晚明文人陈继儒的书画理论与实践——以《妮古录》为考察中心

The Late Artist Literati Chen Jiru’s Theory and Practice of Calligraphy and Painting——Centered on Nigu Lu

陈继儒是晚明松江画派的重要代表之一,倡导文人画与南北宗论,与董其昌相颉颃,其书法自然洒脱、清秀隽逸,绘画气格遒朗苍逸,其书画作品具有典型的文人墨戏遣兴特征。《妮古录》记录了陈继儒主要的书画观念及诸多的书画鉴赏活动,以此为考察中心,分析其书画理论及评鉴交流与创作实践活动,将揭示其书画观念形成的渊源及鉴古的心得体会,分析了松江画派的形成与发展及其在艺术创作方面的典型特征。

Chen Jiru is one of the important representatives of the Songjiang painting school in the late Ming dynasty.As a counterpart of Dong Qichang,he advocated literati painting and the theory of the Southern and Northern sects.His calligraphy is natural,free,delicate and elegant while his painting style is vigorous and powerful.His calligraphy and painting works reveal literati’s typical character of creating on impulse.Nigu Lu records Chen Jiru’s main concepts on calligraphy and painting and many of his appreciation activities.Centered on this work,this paper analyzes his calligraphy and painting theory,evaluation exchange and practice of creation.It reveals the origin of his painting and calligraphy concepts and his feelings and experience of appreciation,and then analyzes the formation and development of the“Songjiang painting school”and its typical characteristics of artistic creation.