跨文化、跨学科、跨媒介的学理化阐释径向——丰子恺漫画研究述评

Toward a Cross-Cultural,Interdisciplinary and Inter-Media Theoretical Interpretation Approach——A Review on the Study of Feng Zikai’s caricature

丰子恺漫画研究自20世纪80年代以来,经历了从文献整理到具体问题研究的发展过程,基本形成以文学为主导的多学科的融合态势。从目前研究现状可以发现,丰子恺漫画研究在进入深水区的同时,也面临着一定的研究困境。需要关注的是,丰子恺漫画本身语-图符号的复合性特征决定了跨文化、跨学科、跨媒介的多元思考路径。视觉图像的经验研究和学理阐释的理论研究互为补充,不仅可以填补丰子恺漫画研究中艺术本体性研究的缺失,又能够对中国文艺理论体系的建构产生一定的启发意义。

Since the 1980 s,the study of Feng Zikai’s caricature has undergone the development process from tidying up documentation to specific problem research and has preliminarily formed a multidisciplinary integration trend dominated by literature.From the research status quo,it can be found that the study of Feng Zikai’s caricature has entered into the“deep water area”,but it also faces certain research dilemmas.It should be noted that the word-image composite characteristic of Feng Zikai’s caricature itself determines the multi-thinking approach of cross-culture,interdisciplinarity and inter-media.The empirical study of visual images and the theoretical study of theoretical interpretation complement each other,which can not only fill the gap in the study of the art ontology in Feng Zikai’s caricature research but also provide some enlightenment to the construction of the Chinese theoretical system of literature and art.