摘要
陶瓷执壶作为中国古代器皿经典造型样式之一,以宋代为之最,是技术与艺术并行发展、兼容互包催生下的产物,集古代造物艺术之大成。从技术与艺术的视角切入,运用定性与定量以及比较性的研究方法,通过叙述技术与艺术的互动关系、宋代陶瓷执壶的造型特征及嬗变以及对其工艺技术与审美艺术的重点分析,旨在深入剖析宋代陶瓷执壶的造型设计,进而论证技术与艺术之同等重要性。
Ceramic ewer is one of the classical styles of ancient Chinese utensils,among which ceramic ewer in the Song Dynasty is considered the most attractive,which is the product of the parallel development,compatibility and mutual inclusion of technology and art.Ceramic ewer in the Song Dynasty is a collection of the great achievements of creative art in ancient China.From the visual angle of technology and art,this paper aims to provide insights into the modeling design of ceramic ewer in the Song Dynasty by analyzing not only the interaction between technology and art but also the modelling features and evolution of the Song Dynasty ceramic ewer as well as its technical skills and aesthetic art with qualitative,quantitative and comparative research methods.Furthermore,the equal importance of technology and art will be demonstrated.
作者
张亚林
刘祎
ZHANG Yalin;LIU Yi(School of Design and Art,Jingd ezhen Ceramic University,Jingdezhen 333000,China)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2022年第9期94-103,共10页
China Ceramics
关键词
陶瓷执壶
技术
艺术
造型设计
宋代
Ceramic ewer
Technology
Art'Modeling design
The Song Dynasty