西北当代民谣中的乡愁书写

Nostalgia Writing in Contemporary Northwest Folk Songs

在西北当代民谣这一特殊的流行文化场域中,乡愁书写是极具殊异性的主题。在发生学的意义上,音乐创作主体经由身体与精神离乡而产生的“主体性的断裂”是乡愁得以生成的基本语境。西北民谣借助多角度的个人叙事在一定程度上改变了乡愁的基本形态,将传统意义上被视作集体情感的乡愁改写为一种强调个人体验的怀旧情感。就书写策略而言,西北民谣中乡愁意识的凸显主要以西北方言为重要媒介,通过对西北地域物象的多角度书写,加入花儿、秦腔、西北民间小调等传统地域文化元素塑造音乐个性、传达思乡之情等路径得以实现。西北民谣中的乡愁书写,拓展了西部文化在当代青年群体中的流通渠道,于无形中践行了“西部文化走出去”的时代使命。

In the special popular culture field of contemporary northwest folk songs,nostalgia writing is a particularly distinctive and prominent theme.In the sense of genesis,nostalgia arises from the basic context that with the departure of body and spirit,the musicians are cut off from their hometown.Through personal narrative of multiple perspectives,northwest folk songs bring about a change in the basic form of nostalgia.Nostalgia,traditionally seen as a collective emotion,has been rewritten into a reminiscence that emphasizes personal experience.In terms of writing strategies,northwest folk songs mainly highlight the sense of nostalgia through dialects and write about regional objects from different perspectives.Traditional regional culture elements such as Hua’er,Qinqiang opera and northwest folk tunes are introduced to shape the personality of music,thereby realizing the transmission of nostalgia.The writing of nostalgia in the northwest folk songs has expanded the circulation channels of the western culture among the contemporary youth groups,and virtually practiced the mission of“the western culture going out”.