摘要
本文聚焦于民国时期上海广播与城市空间建构,研究在城市日常生活的经验之中,广播作为一种“新媒介”如何开辟人与城市相遇的新场景,由此改变了城市人感官体验乃至对于自身与世界的认知。研究发现,广播通过提供“听觉经验的洪流”,在城市的实体空间中叠加了新的符码;从物质、感觉与关系三个层面重组了城市空间,为城市大众建构起了一时一地的感知体验,形塑了听众的收听习惯与听觉文化实践,进而引发了城市听觉环境的革命。
The thesis focuses on the topic about Shanghai broadcasting and urban space construction during the Republic of China.In order to answer this question,in this thesis,theoretical perspective of media technology is employed to think about the form and characteristics of the media itself,and the way of a new city experience and urban space how the broadcasting has created.Broadcasting has provided a“torrent of auditory experience”by emphasizing the dimension of listening,creating the new city sound landscape.Finally,it has triggered a revolution in the urban auditory environment,and shaped the listeners’listening habits and culture practice.
出处
《新闻大学》
CSSCI
北大核心
2022年第7期27-39,117,共14页
Journalism Research
基金
国家社科基金青年项目“媒介技术理论视野下民国广播研究及其史料库建设”(20CXW009)。
关键词
广播
城市
“音景”
空中聚会
broadcasting
city
soundscape
community of the air