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电影:在虚构和真实之间——以马克·费罗为中心的讨论

Cinema:Between the Authenticity and Fictionality——Discussion Centered on Mark Ferro
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摘要 在影视史学诞生之初,西方史学界就对电影的真实性和虚构性展开了热烈的讨论。虚构的电影应该如何应用于历史研究,这个问题成为历史学家们争议的焦点。在法国年鉴派历史学家马克·费罗看来,虚构的电影不仅可以作为史料供历史学家研究,也为人们认识历史提供了一个全新的视角。通过对电影的解读,我们可以发现一段不同于官方书写的历史。 At the beginning of the historiophoty,the Western history scholars had a heated discussion on the authenticity and fictionality of the film.How could a fictional film be applied to historical research This issue has become the focus of historians’ controversy.According to the French Annales School historian Mark Ferro,as a fictional film,not only can it be used as a historical material for historians to study,but also provide a new perspective for people to understand history.Through the interpretation of the film,we can find a history different from the official writing.This article attempts to further explore the authenticity and fictionality of the film based on Mark Ferro’s thinking of historiophoty,and then provide a solution for historians to analyze the history in the film.
作者 王慜 WANG Min(College of History and Culture,Northwest Normal University,Lanzhou Gansu,730000,China)
出处 《文化创新比较研究》 2022年第23期5-8,共4页 Comparative Study of Cultural Innovation
关键词 马克·费罗 电影 真实 虚构 Marc Ferro Film Authenticity Fictionality
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