《关雎》主旨解读的“即”与“离”

“Approaching” and “Departing” in the Keynote Interpretation of Cooing and Wooing

自《关雎》诞生以来,无论是古代儒学的经学附会,还是现代文学语境下的解读,都是对《关雎》“诗人始意”或远或近的“离”。遵循“若即若离”的文学解读原则,解读《关雎》主旨的维度一般有三个,该文从文学文本出发,通过训诂和考据的分析把诗歌文本视为一个艺术整体,进而把握古典文献还原解读与现代阐释之间的恰当距离。

Since the birth of Cooing and Wooing,both the Confucian classics association of ancient Confucianism and the interpretation in the context of modern literature have been “departing” from the “poets’ original intention” of Cooing and Wooing.Following “the lukewarm relationship” principle of literary interpretation,There are generally three dimensions to interprel the theme of cooing and wooing,the article starts from the literary text,analyses exegesis and textual research,regards the poetic text as an artistic whole,and grasps the appropriate distance between the reductive interpretation of classical literature and modern interpretation.