摘要
石刻文献因采用“石”这种独特的文化载体,时空相契、内外相融的传播传承方式,产生耐久、互文与集体无意识交叠的历史积淀意蕴,形成把“遗产变成自己的东西”的过程。在一代又一代的传承与传播中,具体的时代意识与传统文化中的民族精神相互碰撞、相互磨合,使石刻文献成为新时期传承和弘扬中华美学精神的有力阵地。
Due to the adoption of the unique cultural carrier of stone and the dissemination and inheritance mode of space-time harmony and internal and external integration,stone inscriptions produce the historical accumulation implication of durability,intertextuality and collective unconsciousness,forming the process of turning heritage into their own things.In the inheritance and communication from generation to generation,the specific era consciousness and the national spirit in the traditional culture collide and run in with each other.The stone inscriptions have become a powerful position to inherit and carry forward the Chinese traditional culture in the new era.
作者
江朝辉
高媛
JIANG Zhaohui;GAO Yuan(Guangxi Science&Technology Normal University,Laibin Guangxi,546199,China)
出处
《文化创新比较研究》
2022年第16期77-80,共4页
Comparative Study of Cultural Innovation
基金
广西教育科学规划2021年度课题“‘五育并举’教育体系中的传统文化与美学美育育人机制研究”(项目编号:2021C418)
2021年广西哲社项目“乡村振兴战略下粤西古代八景文旅融合研究”(编号:Z1BY06)研究成果。
关键词
石刻文献
传播
传承
中华美学精神
Stone inscriptions
Dissemination
Inherit
Chinese aesthetic spirit