以“无赖”反击荒谬:太宰治笔下“边缘人”形象分析——以《人间失格》为例

Fighting Back Against the Absurd with "Buraiha" : An Analysis of the Image of "Marginal People" Written by Osamu Dazai——Taking No Longer Human as an Example

太宰治是“无赖派”的代表作家,《人间失格》是其晚期代表作。作品通过塑造大庭叶藏等人物,体现出反叛传统、追求自由的艺术主张。作品运用个体叙述等叙事技巧描摹并揭露当时社会的丑陋,运用“零度情感”等手法客观冷静地展现民众内心的迷茫与不安,具有新写实主义的特征。小说中的主人公试图通过堕落等方式进行发泄和反抗,集中体现大庭叶藏内心对“人间”的复杂情感和对“生与死”的思考。研究《人间失格》中的“无赖形象”及其塑造手法,对分析日本战后文学发展、当时社会的发展状况具有重要意义。

Osamu Dazai is a representative writer of the Buraiha, and No Longer Human is his late representative work. The works reflect the artistic proposition of rebelling against tradition and pursuing freedom by portraying characters such as Da Ting Ye Zang. The work uses narrative techniques such as individual narrative to describe and expose the ugliness of the society at that time, and uses methods such as "zero-degree emotion" to objectively and calmly show the confusion and unease in the hearts of the people, which has the characteristics of neorealism. The protagonist in the novel tries to vent and resist by means of depravity, etc., which is mainly reflected in the complex emotions of human world and the thinking of life and death in Ye Zang’s heart. The study of the rogue image in No Longer Human and its shaping methods is of great significance for analyzing the development of Japanese literature after the war and the development of the society at that time.