信仰之光与古枝新绿——评原创革命题材现代昆剧《瞿秋白》

Light of Faith and New Green of Ancient Branches-On Modern Kunqu Opera Qu Qiubai with Original Revolutionary Theme

作为近年难得一见的以昆剧书写红色主题的现代戏,原创革命题材现代昆剧《瞿秋白》在题材把握与戏曲化呈现上均令人耳目一新。全剧以昼/实、夜/虚的形式,构造出了实虚互生、时空结合、纵横交织的精妙的颇具张力的四折双线结构。作为“心剧”,昆剧《瞿秋白》极注重人物心理塑造,将信仰坚定、人格伟岸、灵魂高贵的瞿秋白形象鲜活而饱满地呈现出来,展现了信仰的光芒与力量。它以立体饱满的“心象”完成了“心剧”的舞台呈现与诗性表达,既展现了昆剧本体之美,又洋溢着鲜明的现代意识。这一融现代审美与古典昆剧为一体的舞台艺术实践,既证明了昆剧现代戏表现革命题材的可能性,又凸显了戏曲现代戏巨大的实践空间与无限的艺术魅力。

As a rare modern drama with a red theme written by Kun Opera in recent years,Qu Qiubai,a modern Kunqu Opera with an original revolutionary theme,is refreshing in terms of theme grasp and drama presentation.In the form of day/reality and night/emptiness,the whole play constructs a delicate and tension four fold double line structure.As a“heart drama”,Qu Qiubai attaches great importance to the psychological shaping of the characters,presents the vivid and full image of Qu Qiubai with firm faith,great personality and noble soul,and shows the light and power of faith.It completes the stage presentation and poetic expression of“heart drama”with three-dimensional and full“heart image”.This stage art practice integrating modern aesthetics and classical Kunqu Opera not only proves the possibility of modern Kunqu Opera to express revolutionary themes,but also highlights the huge practical space and infinite artistic charm of modern opera.