地方戏曲音乐话语的当代转换

The Contemporary Transformation of Local Xiqu Music Discourse

地方戏曲音乐以地方方言为基础,建构起剧种音乐的文化身份。21世纪以来,共性创作思维主导着戏曲编剧、导演、舞美、化妆、演出空间与音乐等各方面的创作,以方言语汇为基础的戏曲剧种个性化音乐创作被边缘化,戏曲在剧目创作者的共同追求与时代革新中逐渐形成新的创作规律。共性创作思维推动着地方剧种音乐朝着时代发展的需要进行现代化转换,使其在适应共性创作思维的基础上凸显出剧种的个性化特征,保存独特的剧种文化身份。

Based on the local dialect,local Xiqu music constructs the cultural identity genre of Xiqu music.Since the 21st century,the universal creation thinking has dominated the creation of drama writers,directors,stage design,makeup,performance space and music,etc.The personalized music creation of drama based on dialect has been marginalized,and drama has gradually formed a new creation law in the common pursuit of drama creators and the innovation of the Times.The universal creative thinking promotes the modernization transformation of local Xiqu music toward the needs of the development of the Times,so that it highlights the personalized characteristics of Xiqu on the basis of adapting to the universal creative thinking,and preserves the unique cultural identity of operas.