白话文化与“孤岛”电影:《木兰从军》的现代性制作与影响

Vernacular Culture and Isolated-island Films:The Modern Production and Influence of Maiden in Armour

本文基于中国现代文学的视域,运用白话现代性的理论方法,将“孤岛”时期的电影《木兰从军》(1939)置于社会、技术、政治等具体历史文化语境之中。通过对文本的重读,探究“孤岛”时期上海“影戏”再生产时的文化背景、进步电影人的制片原则以及对民族电影理论的生成与影响。试图透析“孤岛”时期上海电影的美学形成与内外成因,从而更深刻地认识经典文本从文学到艺术的多重互滲,侧面透视中国早期电影媒介具有启蒙女性追求自主与解放意识的影响力。

Based on the perspective of modern Chinese literature,this paper uses the theoretical method of vernacular modernity to place the film Maiden in Armour(1939) of the Isolated-island period in a specific historical and cultural context such as society,technology and politics.Through the re-reading of the text,this paper explores the cultural background of the reproduction of Shanghai films during the Isolated-island period,the production principles of progressive filmmakers,and the formation and influence of national film theory.This paper attempts to analyze the aesthetic formation and internal and external causes of Shanghai films during the Isolated-island period,so as to have a deeper understanding of the influence of classic texts on both literature and art,and to study that the early Chinese film media has the impact of enlightening women’s pursuit of independence and liberation.