内蒙古科尔沁民乐合奏中的音乐材料与演奏传统

Music material and performance tradition in Horqin Folk Music Ensemble

清代中叶,内蒙古科尔沁草原、辽宁阜新一带蒙古人中,盛行一种民间器乐合奏形式的音乐,蒙古语称之为“呼格吉木·塔如拉呼”(hugjim tagaragulhu),意为对乐、合乐。实际上就是现今内蒙古科尔沁民间器乐合奏音乐艺术,该演奏艺术基于科尔沁蒙古族民歌的演唱与民乐演奏传统,结合民间艺人在传统器乐曲的演奏中,大量运用民歌材料,形成了一种表演性音乐现象。内蒙古科尔沁民间器乐合奏曲目,是地方性音乐传统的展现,这类小传统在蒙古族民间保持着强劲的生命力。主要原因在于蒙古族民歌始终是器乐曲演奏的重要源流,从原来的民歌演唱传统向器乐演奏并存,在更深的文化认知层面上,体现了内蒙古科尔沁蒙古族民歌演唱传统,对民族民间器乐合奏艺术的发展,起到重要的推动作用,使丰富多彩的蒙古族民歌,可用不同的音色来表达人们的情感和精神。

In the middle of Qing Dynasty,a folk ensemble was popular among Mongolians in The Horqin Grassland and Fuxin,Liaoning province.It was called"Hugjim Tagaragulhu"in Mongolian,which means"harmony and harmony".Wu Lanjie:History of Mongolian Music,Hohhot:Inner Mongolia Yuanfang Publishing House,2018,p.255.Here refers to music,halcrow,essentially the well-kown horqin folk instrumental music ensemble,the instrumental ensemble based on khorchin folk song singing and playing the traditional,combination of the traditional instrumental music playing in a large number of folk artists using the materials of folk songs,play,playing Musical Instruments,including the Mongol four-stringed instrument,three-stringed,tide,piano and flute,etc.,give priority to in order to play traditional folk performances of entertaining culture.Khorchin folk ensemble is local traditional music,such as small in folk traditional maintain strong vitality,the main reason lies in the folk song is always playing and creation of important raw materials,from the original singing tradition to instrumental music playing traditional juxtaposed,embodied in the deeper cultural cognition level khorchin traditional folk song singing on the development of instrumental music ensemble art play an important motive force,Make colorful folk songs express people's emotion and spiritual life with different timbre.