摘要
二人台作为北方边塞地区的民间小戏,具有极强的肉身特点。所谓肉身特点,即其作品所反映的内容,主要集中于与人类肉身相关的饮食、生殖、排泄等生活内容。可以说二人台作品所反映的生活,无不围绕肉身展开,并以肉身的自然自由作为最终追求。二人台对肉身的关注,映射出二人台对世界的理解,从肉身的本然状态出发,二人台的世界观,将农耕的生成孕育与游牧的自由迁徙融为一体。
As a folk art in northern frontier areas,Er-Ren-Tai has a strong Physical characteristics.The Physical characteristics here means that the contents reflected in Er-Ren-Tai's works mainly focus on the diet,reproduction,excretion and other life contents related to human body.It can be said that the life reflected in Er-Ren-Tai's works all revolves around the body,so as to generate the pursuit of infinite freedom of the body.The attention to the body in Er-Ren-Tai reflects its understanding of the world.Starting from the natural state of the body,the world view of Er-Ren-Tai integrates the generation and breeding of farming with the free migration of nomads.
作者
苗露
Miao Lu(Drama School,Yunnan Arts University,Kunming,Yunnan,650000)
出处
《内蒙古艺术学院学报》
2022年第3期107-113,共7页
Journal of Inner Mongolia Arts University
基金
内蒙古自治区高等学校“青年科技英才支持计划”(项目编号:NJYT-19-B37)系列研究成果
内蒙古社科院“内蒙古民族文化建设工程”社会历史调查项目“土默特右旗二人台文化变迁调查”(项目编号:MZWHD2015-15)阶段成果。
