“和羹之美,在于合异”——土族“纳顿”仪式音乐展演中的多元身份构建

The Construction of Multiple Identities in the Music Exhibition of Tu Ethnic Group’s “Nadun” Ceremony

仪式音乐作为各地域活态的文化符号,不仅标识着族群身份和边界,其所包含的文化内涵也是极为丰富的。青海土族“纳顿”仪式音乐展演中其文化内核相互杂揉并对应共生,体现出对传统文化的恪守和现代文化的吸收、自我识别与对外融合、族群身份的构建与认同等问题。

Ritual music, as an active cultural symbol in various regions, not only marks the identity and boundary of ethnic groups, but also contains rich cultural connotations. In the music exhibition of Tu Ethnic Group’s “Nadun” ceremony in Qinghai province, its cultural core is mixed and symbiotic, reflecting the adherence to the traditional culture, the absorption of modern culture, the self-identification and the external integration, and the construction and identification of ethnic identity.