从《实践论》和《矛盾论》看传统文化的创造性转化和创新性发展

On the Creative Transformation and Innovative Development of Traditional Culture from Mao Zedong’s Works On Practice and On Contradiction

毛泽东的“两论”对理解中国传统文化的“两创”具有重要的启发意义。从“两论”的背景而言,中国传统文化的“两创”,必须面向现实的实践需要,而不是书斋里的抽象理论阐释和重构。从“两论”的理论渊源而言,中国传统文化的“两创”不是传统文化单一要素的转化和发展问题,而是要在立足于现实实践的基础上,既要接着马克思主义讲,也要接着中国传统文化说。马克思主义、中国传统文化和现实的实践构成中国传统文化“两创”的三大基本要素。从“两论”形成的路径而言,中国传统文化的“两创”应遵循马克思主义中国化的内在逻辑,在形式、内容和价值理念层面展开多维度的转化和发展。

The two philosophical works of Mao Zedong’s, known as On Practice and On Contradiction, have important enlightening significance for people in understanding the creative transformation and innovative development of the traditional Chinese culture. From the background of the two philosophic works, the "creative transformation" and "innovative development" of the traditional Chinese culture must be oriented to the practical needs of reality, rather than abstract theoretical interpretation and reconstruction in one’s study. From the perspective of the theoretical origin of the two philosophical works, the creative transformation" and "innovative development" of the traditional Chinese culture are not a matter of transformation and development of a single element of traditional culture. But the transformation and development should be established on the basis of actual practice, that is, to catch and carry on both the teaching of Marxism and the interpreting of the traditional Chinese culture. Marxism, the traditional Chinese culture and the actual practice, constitute the three major elements of the creative transformation and innovative development of the traditional Chinese culture. From the path of the formation of the two philosophical works, the creative transformation and innovative development of the traditional Chinese culture should abide by the internal logic of Sinicization of Marxism and carry out multi-dimensional transformation and development at the level of form, content and value conception.