论花间词中的闺阁器物意象

On the Image of Boudoir Objects in Huajian Ci

《花间集》含有庞大的闺阁器物意象群,直接影响了花间词风格的呈现。花间器物品类繁多,取材琐细,包括帘帷、衾枕、屏风、香熏、灯烛、乐器和镜匣扇笼七大类及其下属众多品类。外观审美上,呈现富贵精奢之貌、鲜明亮丽之色、轻薄纤巧之质与清新淡雅之韵。艺术表现上,有聚焦动态感、营造光影感、构建层次感,刻画细腻与综合运用多种感官的特色。器物形态与女性情意达成了外在同构与内在沟通,通过使用修饰性描述与图案意象,充当女性活动的陪衬和道具等模式,透露出女性复杂的内心世界、微妙的感觉体验以及鲜明的性情气质。

The prosperous economic environment and hedonic culture in the cities of the late Tang and Five Dynasties gave birth to a huge image group of boudoir artifacts in Huajian collection.There are many kinds of flower ware with trivial materials,including curtain,bed pillow,screen,fragrance,candle,musical instrument,mirror box,fan cage and many subordinate categories.In terms of appearance aesthetics,it presents the appearance of wealth,luxury,bright color,light and delicate quality and fresh and elegant charm.In terms of artistic expression,it has the characteristics of focusing on the dynamic sense,creating the sense of light and shadow,constructing the sense of hierarchy,depicting delicacy and comprehensively using a variety of senses.The shape of utensils and women’s feelings have reached external isomorphism and internal communication.Through the use of decorative descriptions and pattern images,they act as the foil and props of women’s activities,revealing women’s complex inner world,subtle feeling experience and typical temperament.