诸福之物:北宋宫廷的祥瑞文化与祥瑞图绘

Things of blessing:auspicious culture and auspicious painting of the court of the Northern Song Dynasty

祥瑞在古代政治文化中扮演重要角色,其要素包含观念与视觉表征两个方面。北宋时期,随着思想和知识体系结构上的嬗变,宫廷对祥瑞的态度适时调整,对于祥瑞视觉文化的渲染也在变异中发展,至徽宗朝达到高峰。本文聚焦于祥瑞与皇权的勾连,探讨北宋宫廷祥瑞绘画的文化语境,重点揭示宋徽宗在祥瑞图像史链条上的创新与超越。

Auspicious omen played an important role in ancient political culture,and its elements included two aspects:concept and visual representation.In the Northern Song Dynasty,with the evolution of ideology and knowledge system structure,the court's attitude towards auspicious omen was adjusted in time,and the rendering of auspicious visual culture was also developing in variation,reaching its peak in the Huizong Period.This paper focuses on the connection between auspiciousness and imperial power,discusses the cultural context of auspicious paintings in the court of the Northern Song Dynasty,and pays much attention to the innovation and transcendence by Song Huizong in the history of auspicious images.