摘要
文艺复兴时期,收藏古代雕塑的风潮席卷了意大利的人文主义者和社会精英。古代雕塑被用来彰显收藏者的文化修养、美德和荣誉或成为权力的象征,进而实现收藏者的自我形象建构。同时,人文主义者和社会精英还发明专门展示古代雕塑的场所,以此传递收藏者的情感和思想,扩大其社会文化影响力。
During the Renaissance,the collection of classical statues swept through the Italianhumanists and the social elites.Classical statues were used to highlight the collectors'culture,virtue and honor or to become a symbol of power,thus realizing the collectors'self-image construction.Meanwhile,humanists and social elites also invented places dedicated to the display of classical statues,thereby conveying the collectors'emotions and thoughts and expanding their social and cultural influence.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2022年第4期79-85,I0003,共8页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
国家社科基金一般项目“巴洛克时期罗马的艺术和社会研究(1550-1750)”(17BSS044)的阶段性成果。
关键词
文艺复兴
意大利
古代雕塑
收藏
展示
Renaissance
Italy
social elites
classical statues
collection
display