豫园东部重修历程及理景分析

A Study on the Reconstruction and Landscape Design of Yuyuan Garden(East)

在豫园不言而喻的历史遗产价值之外,基于传统园林设计视角进行考察,亦是现代复园、构园中具典范意义的佳例。聚焦豫园东部自现代以来的历次变迁,全面梳理空间格局及要素的演变过程、主要特征,并着重分析陈从周先生所主持的80年代东部重修的空间组织特点,探讨理景手法指归。园林营建上,轩堂指示观者在场,统领各自停赏空间,对景各具兴味;韵律变化则主要展开于多尺度层次的感受对比及对重要景观的设伏指引,充实主景、灵动生趣,令动静相宜,出“空灵高洁”之雅韵;构思立意上,重修着重考量添景与原景、东部与全园的空间关系,体现时空整体性与历史接续性。豫园东部重修理景不仅是对陈先生构园理论的实践印证,更饱含传统文人借园林笔墨,吐情怀志趣之深意,宣誓了造园工作者的时代使命,承寄了传统园林艺术上征而向荣的殷殷期望。

Apart from the outstanding historical value,based on the perspective of traditional garden design,Yuyuan Garden is also an example of high-quality garden reconstruction in modern times.Focusing on the several main spatial changes of Yuyuan Garden since 1949,the article summarizes the character of each change in terms of the overall layout and the specific element.Based on this,the landscape arrangement and artistic conception of the reconstruction in the 1980s are analyzed in detail.It was the master of the Chinese classical garden CHEN Congzhou who took charge of the reconstruction.For the spatial arrangement and conception,the opposite scenery of the pavilion and hall each has its own merits,while the change of rhythm reinforces the spatial characteristic and makes the space lively.Thus,the overall atmosphere of“spaciousness and clearness”is successfully built.Meanwhile,the existing landscape and the added ones were nicely structured in the reconstruction,and the spatial experience of the east part fit in well with that of the rest parts of the garden,which made the space-time experience integrated and the history-reality relationship reconciled.The landscape design of Yuyuan Garden not only strengthens CHEN’s garden construction theory,but also carries the feeling and aspiration of a traditional Chinese scholar,by which the belief of a traditional landscape gardener and the expectation for traditional garden art is indicated.