古典与近代诗学的二重变奏--论森鸥外汉诗的近代价值

The Unity of Opposites Between Classical Poetics and Modern Poetics: Centering on the Modern Value of Mori Ougai’s Han Poetry

作为汉诗诗人,森鸥外较少为研究者所关注。森鸥外的汉诗创作总量不大(存世200余首),诗界对其有语言过于朴实、流于世俗的评价。但作为日本近代文学的先驱,森鸥外汉诗中的抒情与自我书写,亦是其浪漫主义美学思想的东方式呈现。他的诗反映出日本古典文学向近代文学转变的探索与创作实践。只有充分理解森鸥外汉诗中的近代文学属性,才能准确把握其内涵,进而探究汉诗在日本近代文学自立过程中所发挥的独特价值。

As a Han poetry poet,Mori Ougai arouses little attention of the researchers.Mori Ougai’s total number of Chinese poems is not large(about 200 existing poems),and poetic critics consider that his works are much too plain in language and mundane in contents.However,as a pioneer of modern Japanese literature,the lyrical expression and self-writing in Mori Ougai’s Han poetry are still the Oriental representation of his romantic aesthetic ideas,reflecting the exploration and creative practice in the transformation from classical literature to modern literature in Japan.Only by fully understanding the modern literary nature of Mori Ougai’s Han poetry can we accurately grasp its connotation,and then explore the unique value of Han poetry in the process of independence of modern Japanese literature.