摘要
从历史与美学角度考察,音乐经典可以作为一个历史概念、一种审美标准、一次观念转型而存在,在其确立过程中受到了多种因素的共同作用。从历史、审美、观念三个方面进行探究,可以发现音乐经典确立背后的历史渊源、审美趣味以及观念变迁。
From the perspective of history and aesthetics, musical canon, exists as a historical concept, an aesthetic criterion and a concept transformation, and its establishment process is affected by many factors. Therefore, this paper aims to explore the historical origin, aesthetical interests and concept transformation behind music canonization from the above three aspects: history, aesthetic and concept.
作者
刘青
LIU Qing(Musicology Department,Xinghai Conservatory of Music,Guangzhou 510006,China)
出处
《美育学刊》
2022年第5期76-81,共6页
Journal of Aesthetic Education
基金
广东高校科研平台2021年度青年创新人才类项目“音乐经典的内涵及性质研究”(2021WQNCX030)的成果。
