古典音乐录音中空间环境感的处理

The Reproduction of Auditory Spatial Perception in Classical Music Recordings

本文回顾、整理了听觉空间环境感的概念和古典音乐同期录音拾音设计方案,结合三场交响音乐会的实践经历,对使用不同拾音方案录制的音乐作品进行主观评价及声学原理分析,从主传声器与辅助传声器拾音设计的两个方面探索古典音乐同期录音中空间环境感的处理经验。

This paper reviews and sorts out the concept of auditory spatial environmental sense and the design scheme of simultaneous recording of classical music. Combined with the practical experience of three symphonic concerts, it makes subjective evaluation and acoustic principle analysis on the music works recorded with different sound pickup schemes, and explores the experience of processing the spatial environmental sense in simultaneous recording of classical music from the two aspects of the design of the main microphone and the auxiliary microphone.