以“内容”为核心——中央歌剧院剧场设计回顾

“CONTENT”AS THE CORE:A REVIEW OF THE DESIGN OF THE CHINA NATIONAL OPERA HOUSE THEATRE

中央歌剧院剧场工程,是为歌剧艺术和中央歌剧院这个特定团体量身定制的。项目以“内容”为核心,贯穿从创作到实施的全过程,设计就歌剧艺术在舞台运作、空间布局方面的问题,克服场地局限,并通过新建剧场整合全院区的道具运作系统。在观演模式、自然声表演的声学品质方面,尊重艺术家对歌剧艺术理念的诉求;在建筑创作理念方面,本着尊重世界优秀文化遗产、尊重歌剧艺术发展历史的原则,在东西方文化融合的基础上,寻求一种用当代建筑进行表达的语言,在充分体现歌剧艺术和国家级艺术团体地位的同时,使建筑融入城市。本文期待通过这样的文化设施建设,体现建筑在艺术呈现方面的参与性,为歌剧艺术迈向新高度做出贡献。

The China National Opera House Theater project is tailored to the art of opera and the specific group of the Central Opera House.The project takes"content"as the core through the whole process from creation to implementation.The design overcomes the limitations of the site in terms of stage operation and spatial layout of opera art,and integrates the prop operation system of the whole theater area through the new theater.In terms of the performance mode and the acoustic quality of the natural sound performance,the design respects the artists’demands on the concept of opera art;in terms of architectural creation concept,the design is based on the principle of respecting the world’s excellent cultural heritage and the development history of opera art.Based on the fusion of Eastern and Western cultures,the design seeks a language of expression in contemporary architecture that fully reflects the status of opera art and national art groups while integrating the architecture into the city.This paper looks forward to reflecting the participation of architecture in artistic presentation through the construction of such cultural facilities,and contributing to the advancement of opera art to new heights.