文艺与心理的跨学科整合尝试——以意象与无意识的关系为考察视点

Interdisciplinary Integration of Literature and Art and Psychology——From the Relationship between Imagery and Unconsciousness

从中国古代文化在哲学萌芽阶段的“象”思维,到“意象”一词被引入文艺创作、审美领域,“意象”一词都同创作者与接受者的心理活动密切相关。然而,由于严谨的学科划分规范,外加研究范式不同,文艺学与心理科学的研究互相分离,学科间壁垒形成,研究成果难以整合。长期以来,意象研究仅停留在人文学科的思辨范畴里,其产生的心理机制、认知特点和原理,却被文艺研究领域所忽略。本文尝试整合文艺与心理学科对意象研究的成果,重在揭示意象与无意识心理活动的关系,从认知维度和心理分析角度探讨意象产生的心理机制和活动规律,为理解文艺现象背后深刻的心理动机提供参考。

From the"Xiang"thinking of ancient Chinese culture in the embryonic stage of philosophy to the introduction of the word"imagery"into the field of literary and artistic creation and aesthetic appreciation,the word"imagery"is closely related to the psychological activities of the creator and the recipient.However,due to the rigorous division of disciplines and different research paradigms,the research of literature and art and psychology is separated,and barriers between disciplines are formed,making it difficult to integrate research results.For a long time,imagery research has only stayed in the speculative category of the humanities,and its psychological mechanism,cognitive characteristics and principles have been ignored by the field of literary and art research.This paper tries to integrate the results of imagery research in literature and art and psychology,focusing on revealing the relationship between imagery and unconscious psychological activities,and exploring the psychological mechanism and activity law of imagery generation from the perspective of cognitive dimension and psychological analysis,so as to provide reference for understanding the profound psychological motivation behind literary and artistic phenomena.