摘要
作为中国新诗尝试期的拓荒者,刘半农坚守朴素的民间立场,为白话新诗开拓了地方化、生动化的创作途径。诗人既客观地挖掘落后愚昧的乡土社会阴郁暗淡的现实,真诚地展示底层劳动人民的生存苦难,也热情地描摹地方风物、人情世态,赞颂底层劳动人民的生存韧性和美好爱情,还直接取法于民歌民谣,以方言和口语入诗,借助民间语言构筑了新诗的美学价值。
As a pioneer of the trial period of Chinese new poetry, Liu Bannong sticks to the simple folk standpoint and opens up a local and vivid creation way for vernacular new poetry. The poet both objectively sought for the gloomy and bleak reality in backward and ignorant rural society and sincerely revealed the survival of the working people’s suffering, and enthusiastically described local scenery and human world,and praised the survival resilience and good love of the working people. In addition,the poet directly adopted folk songs,used dialect and spoken language in poems,and built the aesthetic value of the new poetry with the help of folk language.
作者
方雪梅
FANG Xuemei(Department of Economic Management,Jiangyin Polytechnic College,Wuxi 214405,China)
出处
《连云港职业技术学院学报》
2022年第2期23-27,共5页
Journal of Lianyungang Technical College
关键词
刘半农
新诗
民间立场
Liu Bannong
new poetry
folk standpoint