“一花一世界:丝绸之路上的互学互鉴”展览解析

An Analysis of the Exhibition "Mutual Learning:Stories of the Silk Road Treasures"

展览是博物馆最核心的产品。近年来,伴随着“博物馆热”“国宝热”,我国博物馆展览特别是大型展览呈现出良好的发展态势。然而,相较于备受瞩目的大展,在数量上占绝对多数的中小型展览不仅社会讨论度、话题度不高,文博领域对其研究和探讨也相对不足。“一花一世界:丝绸之路上的互学互鉴”展,通过385平方米的展厅和20件/套的展品,以清晰的脉络和深入浅出的解读为观众还原丝绸之路交流融合的宏大历史,展现丝绸之路互学互鉴的宏大主题,是用“小地方”讲述“大故事”的一个典型案例。

Exhibitions are the core product of museums.In recent years,along with the "museum fever" and "national treasure fever," China’s museum exhibitions,especially large-scale exhibitions,have shown a good development trend.However,compared with high-profile exhibitions,small and medium-sized exhibitions,which account for the absolute majority in number,neither have caught enough public attention nor have been researched and analyzed sufficiently by the circle of museology.Through a 385-square-meter exhibition hall and 20 pieces/sets of art pieces,the exhibition "Mutual Learning:Stories of the Silk Road Treasures" highlighted the topic of mutual learning and restored the grand history of communication and integration along the Silk Roads to the audience by providing a clear context and interpretation.This exhibit is a classic case of using "small places " to tell "big stories".