论自然审美中的框架问题

On the Framework in Natural Aesthetics

自赫伯恩把自然的无框性作为自然与艺术的重要区别以来,自然审美的无框性特征被当代大多数环境美学家所认可。但是,在自然美作为重要研究内容的环境美学内部,依然存在对框架问题的不同理解与论争。值得注意的是,框架概念在自然美研究日益深化的语境中有了新的发展。不同于艺术欣赏中框架的固定性、物理性和二维性,新的自然美语境中的框架概念是弹性的,框架具有了抽象性、变动性和渗透性的新内涵。在这种新的框架概念下,有框的自然审美体现的是自然整体欣赏与部分欣赏的关系,框架作为一种审美注意的方式,更恰当地反应了真实的自然审美实践。有框的自然审美不仅没有限制自然审美的无限潜力,反而和自然环境模式、参与模式一样,具有理论和实践的合理性,揭示了自然美研究的更多可能。

Since Hepburn took the frameless nature as an important difference between nature and art,the frameless feature of natural aesthetics has been accepted by most contemporary environmental aestheticians.But there are still different understandings and controversies on the issue of framework within environmental aesthetics,where natural beauty is an important research content.It is worth noting that the concept of frame has made a new development in the context of the deepening study of natural beauty.Different from the fixed,physical and two-dimensional nature of frame in the traditional sense,the framework in the new natural beauty context is elastic with a new connotation of abstraction,variability and permeability.Under this new concept of frame,framed natural aesthetics reflects the relationship between the overall appreciation of nature and the partial appreciation of nature.And as a way of aesthetic attention,the frame more appropriately reflects the real natural aesthetic practice.The framed natural aesthetics not only does not limit the infinite potential of natural aesthetics,but,like the mode of natural environment and participation,has the rationality of theory and practice,and reveals more possibilities for the study of natural beauty.