养心殿体顺堂铜胎珐琅器的初步分析——兼谈一组西洋造珐琅器

An Analysis of The Bronze Enamelware in Tishuntang Hall of Yangxindian Palace and A Set of Western-made Enamelware

本文通过研读《国立北平故宫博物院存沪文物点收清册》,发现部分养心殿“吕”字号文物之所以无法同《故宫物品点查报告》对应,是因为在南迁过程中,对文物进行了重新点查登记。重新编号的“吕”字号文物,绝大部分于民国初年存放于养心殿体顺堂(体顺堂的部分文物应属宁寿宫旧藏)。作者根据西洋造珐琅菊纹壶的绘画技法及装饰风格,并结合档案,识别出其中八件铜胎画珐琅的产地为欧洲。该珐琅器九件一组,在乾隆晚期已经成为宁寿宫收藏的一部分,同乾清宫的“列”字号珐琅收藏无关。

By the Registration Booklets of Shanghai Stored Cultural Relics of Na tional Museum of The Imperial Palace in Beiping(GuólìBěiping GùGōng BóWùYuàn Cún HùWén WùDiǎn Shōu Qīng Cèin Chinese pinyin),the disagreement between some antiques marked with the Chinese character of’吕(lǚ)and housed in Yangxindian Palace and the Items CheckingList of The Imperial Palace Museum(GùGōng WùPǐn Diǎn CháBào Gào)was the result of the errors in another registration to them during the southward migration.The majority of the re-registered items marked with character of’吕(lǚ)’were housed in Tishuntang Hall of Yangxindian Palace in the early republican period,yet some of them actually used to be stored in Ningshougong Palace.Judging by the painting techniques and decorating style for the western-made enamel kettle patterned with chrysanthemum and the related documents together,eight of the bronze enamelwares are identified to be made in Europe.The enamel wares in groups of nine were a part of the stored treasures in Ningshougong Palace in the late Qianlong(乾隆)period,they have no connection with the enamelware marked with the character of’列(liè)’in Qingqing Palace.