摘要
在技术、材料、开发模式都趋同的情况下,各地的城市风貌愈发显得缺乏特点。面对这种现象,秉持新时代发展理念,重新审视人与自然和城市的关系,将山水资源重新“请回”城市并融入城市具有现实意义。通过对中国山水画、山水城市、山水文化精神的研究,借鉴中国山水画取势、着墨、通径、赋意的手法,围绕山水城市中自然山水肌理、社会历史文化、城市景观环境等三大构成要素,探索台州市黄岩区永宁江滨水区城市风貌特色营造中的中国传统文化传承与创新。
With the convergence of technology, materials and development modes, the appearance of cities everywhere is becoming less and less characteristic. In view of this phenomenon, it is of practical significance to adhere to the development concept of the new era, re-examine the relationship between man, nature and the city, and“invite back”landscape resources into the city and integrate them into the city. Through the study of Chinese landscape painting, landscape city and landscape cultural spirit, and drawing lessons from the technique of“taking potential, inking, path and meaning”of Chinese landscape painting, this paper explores the inheritance and innovation of Chinese traditional culture in the construction of characteristic urban feature along Yongning River in Taizhou City around the three constituent elements of natural landscape texture, social history and culture and urban landscape environment of Shan-shui City.
作者
孙畅
邱峰
SUN Chang;QIU Feng
出处
《新建筑》
2022年第5期147-151,共5页
New Architecture
关键词
城市风貌
城市特色
空间营造
山水画
山水城市
传承与创新
urban feature
urban characteristics
space construction
Chinese landscape painting
Shan-shui City
inheritance and innovation