摘要
在1949年后民国通俗小说作家的诸多文学实践中,还珠楼主于1958年改编的传奇小说《十五贯》一方面在创作题材的选择中展现出通俗小说作家转型过程中惯有的思维模式,另一方面,在具体写作时又呈现出较多的通俗小说的美学特点,因而具有一定的典型性。这种典型性的存在使《十五贯》与新时代文艺要求之间产生了一定的距离,也体现出作为群体的民国通俗小说作家在1949年后面临的转型困境。
This paper holds that,in many literary practices of popular fiction writers in the Republic of China after 1949,the legendary novel Fifteen Gman(《十五贯》)adapted by huanzhulouzhu in 1958 has certain typicality.On the one hand,it shows the usual thinking mode of popular novel writers in the process of transformation in the selection of creative themes,on the other hand,it shows some characteristics of traditional popular novels.This typicality makes a certain distance between the Fifteen Guan and the literary and artistic requirements after 1949,and also reflects the transformation dilemma faced by the popular fiction writers of the Republic of China as a group after 1949.
作者
于经纬
Yu Jingwei(Liberal Arts College of Soochow University,Suzhou 215123,Jiangsu,China)
出处
《长江学术》
CSSCI
2022年第4期61-67,共7页
Yangtze River Academic
关键词
还珠楼主
《十五贯》
民国通俗小说作家
转型困境
HuanzhuLouzhu(还珠楼主)
Fifteen Guan(《十五贯》)
Popular Fiction Writers in the Republic of China
Transformation Dilemma