清代学术嬗变中的徽州乐学——以江永、汪绂为中心

Qing Dynasty Academic Evolution of Huizhou Musicology-The Case Study of Jiang Yong,Wang Fu

礼乐文化为中国传统文化的重要组成部分,礼与乐素来具有同等重要的地位。清代徽州为人文渊薮之地,徽州学人在重视礼学的同时,也没有迟缓对乐学的研究,江永和汪绂即是其中的代表性人物。但由于二人乐学思想的异同点众多,促使差异形成的原因复杂,随之带来的影响深远,使得此时期徽州乐学呈现出了两条不同的发展路径。在对二人乐学思想做比较研究的同时,亦为观察中国传统学术由宋明理学向清代朴学转变时学人们治学取向的变化提供了一个新的视角。

The culture of etiquette and music is an important part of Chinese traditional culture,and etiquette and music have always been of equal importance.In the Qing dynasty,Huizhou is an area full of cultural atmosphere,Huizhou scholars did not slow down the study of musicology while attaching importance to etiquette attaches great importance to the ceremony at the same time.Jiang Yong and Wang Fu are the representative figures of them.However,due to the many similarities and differences between their musical ideas,the complex reasons that drive the differences and then the far-reaching effects they brought,Huizhou musicology during this period showed two different paths of development.A comparative study of their musical ideas also provides a new perspective on the changes in the orientation of scholars as traditional Chinese scholarship shifted from the Neo—Confucianism in the Song and Ming Dynasties to the Textual Criticism of Qing Dynasty.